The Watercolours of Ireland: Works on Paper in Pencil, Pastel and Paint, c.1600-1914

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A landmark study of Irish visual culture, The Watercolours of Ireland traces the development of watercolour painting from the 17th century to the early 20th century. Richly illustrated, it documents major Irish artists and lesser-known works on paper, offering an essential reference for Irish art history.

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The Watercolours of Ireland: Works on Paper in Pencil, Pastel and Paint c.1600–1914 is a major scholarly survey by art historian Anne Crookshank and cultural historian Desmond FitzGerald, Knight of Glin. First published in 1994, it is widely regarded as one of the definitive studies of Irish works on paper and a cornerstone text in the study of Irish visual art history.

The book charts the evolution of watercolour and related media in Ireland over more than three centuries, beginning with early topographical drawings and continuing through the development of a distinct Irish tradition of landscape, portrait, and genre painting. It examines how Irish artists engaged with European artistic movements while also shaping a uniquely Irish visual identity.

A major feature of the work is its extensive visual documentation. The authors reproduce hundreds of works in pencil, pastel, ink, and watercolour, many of which were previously little known or held in private collections. These include landscapes, botanical studies, architectural drawings, and portrait sketches that collectively reveal the diversity of Irish artistic production between 1600 and 1914.

The book also includes a detailed biographical reference section of artists working in Ireland, providing context for both well-known figures and overlooked practitioners. This makes it not only an art historical narrative but also a key reference tool for researchers, collectors, and institutions.

Beyond cataloguing artworks, Crookshank and the Knight of Glin situate Irish watercolour within broader cultural and historical developments, including shifts in patronage, the influence of British artistic institutions, and the role of Irish artists abroad. Their analysis highlights how visual representation of the Irish landscape evolved alongside political and cultural change.

Combining rigorous scholarship with exceptional visual material, The Watercolours of Ireland remains an essential resource for anyone interested in Irish art, cultural heritage, or the history of European works on paper.

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Weight 0.5 kg

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